One of the strange gifts of black and white photography is that no one ever asks, "Is that how it really looked?"
With colour—especially digital—this question is always lurking. The saturation, the warmth of the light, the shadows, the contrast: every part of a digital image can be pushed and pulled. You can make a grey morning glow like a golden hour. You can turn a dull sky blue. You can erase blemishes, adjust curves, and clone out anything you don’t like. And people know this. That’s the problem. We’ve trained ourselves to question what we see. Is it real, or is it PhotoShop?
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